Titian died in Venice on August 27, 1576. He had asked to be buried at the Frari at the foot of the Altar of the Crucifix which was the focus of his last piece of work, The Pietà, left unfinished and completed by Palma the Younger. Towards the end of the 18th century, many artists wanted to erect a monument in memory of the artist. The project was commissioned to Canova in 1790. The project was never completed due to the fall of the Republic of Venice and lack of funds. In 1838, while visiting Venice, the Emperor of Austria, Ferdinand I, was struck with the idea of erecting a monument in memory of the great artist who had worked at the court of his forefathers. The monument is in Carrara marble. The centre is dominated by the statue of the artist crowned with a laurel wreath. Nearby is the universal nature and the genius of knowledge with the statues of Painting, Sculpture, Graphic Art and Architecture. Five bas-reliefs recall Titian’s most important religious works: in the centre of the masterpiece is the Assumption on the left the Martyrdom of St. Peter from Verona, a splendid piece of artwork for the church of Santi Giovanni e Paolo, destroyed during a fire; and on the right the Martyrdom of St. Lawrence, now located in the Gesuiti church. Above the entablature are the following sculptures: on the right the Visitation, while on the left the Deposition from the Cross. On the top of the monument is the Lion of St. Mark clutching the shield with the Hapsburg Coat of Arms. On the base, to the left of the monument, is an old man sitting down with a tablet bearing the inscription: “EQUES ET COMES TITIANUS SIT CAROLUS V – MDLIII”.